Ropes in the Air.

The installations in this post are all made of ropes. The artist creates his installments with raw elements that can be found in our daily lives. His works are very simple but they have a meaning. The kind of art he is developing suggests an investigation on pureness and simplicity of life. His vision considers the rejection of speed, pollution, and all contemporary hurries in order to replace our attention on the purity of thought. Teo has been exhibiting his works in various galleries, walls, natural and abandoned spots all over the world. 

“My shapes are reduced to the minimum, at the same time they carry some kind of an intense tension, an invisible movement; most of my patterns hide multiple visions and different perspectives. I think my art now speaks through geometry”.

Moneyless' art is characterized by an investigation on the rawest elements of life and takes for granted a process of continuous evolution. He certainly owes his graphical mark to the street, where he was born as an artist and where he grounded his roots in the '90s graffiti/writing scene. 

Source: Moneyless

Time is a dimension.

It's amazing how we can capture moments and a slice of life with photographs. Day to night comes with changes of colours in the skies and the sun and moon switching places. These images give me an inspiration to take photographs to create a blend of an image that will show people the wonders of the world. I found Fong's photographs to be so beautifully spliced together and it is just a perfect way to showcase Singapore's beauty through images. The artist/photographer's photographs look so amazing that it just left me in awe viewing all of it. What makes it even more amazing is that the photographs were all taken in sunny Singapore.

Fong Qi Wei is an artist and photographer that “strives to make images which touches both the feeling part and the thinking part of your mind.” He wants to get your attention and hopefully engage you on a deeper level as you look at it for longer.

On his site he states,

“Photography is a medium that is famous for freezing time. The word snapshot suggests that a tiny slice of time is recorded for posterity… A photographic print is flat, and essentially is made of 2 dimensions: length and width. Yet through composition and lens focus we give a print depth… The best images are the ones which let you feel like you can step directly into the frame into a world which is on the other side.

But the print is still an instance. Most paintings and photographs are an instance of time. That’s not the way the world works. We experience a sequence of time, and that’s why a video is somehow more compelling than a freeze frame…

Photographic prints are great because they don’t need power to be displayed. They are more or less permanent. Videos are great because they record a sequence of time which shows reality almost like how we experience. Is it possible to combine the two? And not via long exposure photography where often details are lost from motion.

So I played around with the tools of digital photography and post processing to give you this series: Time is a dimension."

FONG QI WEI | fqwimages

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Photographer of Paris.

Charles Marville – Photographer of Paris

Charles Marville was born in the year 1816, and died at the age of 55 in 1879. He was originally trained as a painter, engraver, and illustrator, later on in his life, he became known as a landscape and architecture photographer. He traveled to Italy, Germany, and Algeria and used both paper and glass plate negatives. In the late 1850s the city of Paris commissioned Marville to document the ancient quarters of the city before encroaching urban modernization changed them forever. He photographed renovations and new construction, including the new Paris Opéra. Marville was also commissioned by the Musée du Louvreto make reproductions of artworks in their collection. He was named official photographer of Paris in 1862.

Unfortunately, there is not much information on his life other than the impressive body of work he left behind. Sometime in the 1850s Charles Marville was asked to document the old quarters of the French capital by the government's Commission for Monumental Historical Monuments. He purposely took the photographs of Paris's architecture and streets scenes when it was raining, so that the soft diffused light mixed with the rain on the cobblestone produced a picturesque image that elicited a feeling of perfection. One of Charles Marville's good friends was Blanquart-Evrard and through the years he published many of Charles Marville's images, including a group of his negatives of France and Germany in the album Art Religieux in 1854.

Marville’s most accomplished work was the album of 400 images of roads condemned by Baron Georges-Eugène Haussmann’s restructuring of Paris, for example Rue des Prêtres-St-Séverin (5e Arrondissement). At the request of the municipality, he took a systematic census of them before their demolition . Ten years later, he returned to the same sites where he was again commissioned to photograph the new main roads in order to present Haussmann’s Paris at the Exposition Universelle of 1878.